Gender Roles and Ideas :: Arab Women Culture Literature Essays

Gender Roles and IdeasThe Male pillow slip in Arab Wo handss NovelsOften in literature authors, particularly men, argon criticized for falsely or inaccurately portraying or writing women. This argumentation has been historically confined to male authors, but is on occasion reverse and female authors are criticized for inaccurately writing men. Although it may sound worry a fair tradeor at least the beginnings of angiotensin-converting enzyme in the world of criticsthese situations are limited to primarily European and predominately jointure American literature. Examining the portrayal of men and the male sex as a whole, by women, is an important if non essential undertaking in this in advance(p) world, but where is comes to a point of being absolutely crucial is when it is the women authors of a world where they are second class citizens only because of their gender. If the writing of men in Arab womens novels can be understood at even so the most basic level it may allow so me cleverness into what these women think and assume consciously and subconsciously, about themselves and their position in federation and about the inherent oppression that they deal with and resign themselves tono outcome how weak or extreme the degree of the oppression, ranging from Egypt to Saudi Arabia.The purpose of this dialogue is to inaugural, examine and delineate the manner in which Arab women novelists portray or keep open men and second, to discuss the most relevant reasons why the women write them as they do. This will be accomplished by focusing mainly on three novels written by women from Jordan and Palestine with settings form Beirut to London.The first of these three novels is Fadia Faqirs, Pillars of Salt. This story is set in Jordan before and during the British occupation and Mandate. The book itself is broken into a number of chapters, each shifty between the voices of The Storyteller, Maha, and Um Saad, and Faqirs third-person. For purposes of ease in t his talk these short chapters will be grouped into eight natural sections, as each five or six chapters between Maha and Um Saad is set off by an interlude from The Storyteller, who himself appears nine times altogether. In this book there is a large spectrum men that Faqir writes, but in wrong of relevance to the topic above we will focus on the following(a) characters to illustrate how Faqir portrays the male sex The Storyteller, who could be argued as not being a man, but with very little success, as it is undoubtedly Faqirs intention to have the storys told by The Storyteller to be from a male perspective.